Archive for the ‘Arts’ Category

World Premiere this Sunday

As part of the celebration Tea Party this Sunday there is a presentation by Youlgrave based artist, photographer, writer and naturalist Christine Gregory on her recent work.

Christine works in a range of mediums, but especially impressive are her wildlife photographs taken in the White Peak.  It will be a great treat to see her fantastic photographs on the big screen in the Memorial Hall.  We are particularly lucky in that we will get a sneak preview of her new book, not officially being launched until next week (click here for details of the official book launch on Tuesday 2nd October).  Copies of this book will also be available for purchase.

 

Christine Gregory‘s presentation will start at
5pm Sunday 30th October in Parwich Memorial Hall
All are welcome, no charge
.

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The new Memorial Hall Sculpture

One purpose of Art is to get people talking, and presumably Community Art is to get communities talking.  Well here are some photographic teasers of the new Memorial Hall Sculpture.  To find out more, come along to the unveiling on Sunday.

The children of Parwich Primary School did drawings of the sort of sculpture they might like to see created for the Memorial Hall, which will be exhibited in the Hall on Sunday afternoon.  Some of their ideas were incorporated into the final piece.  At the risk of shooting myself in the foot, what sort of community sculpture would you like to see installed where? Remember this is a public forum! Peter T.

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Parwich artist on show in Ilam this weekend

Parwich’s Jean Wayne is one of four artists whose work is on display in Ilam this month, as part of the second annual Staffordshire Enjoy Art Open Studios.

The exhibition takes place this coming weekend (September 22-23), at The Haybarn, Beechenhill Farm, Ilam, DE6 2BD.

Opening hours are 11am to 4pm.

There will be lots to see and some light refreshments (mainly cake, we have been told!)

Jean’s artwork will be displayed alongside pieces from Sue Prince, Margaret Sharples and Ruth Watson.

Please click here for directions.

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Parwich Memorial Hall has commissioned a sculpture by local artist blacksmith Hayley Powell. Everyone will know her cuckoo by the Cuckoo Gate in Monsdale Lane (if not go and have a look).  Here is a reminder of the unveiling of this in 2006 at a village picnic, that was very well attended despite a clash with the Wimbledon Men’s Final:

Hayley made the cuckoo sculpture when still an A-level student at QEGS; she has since then taken her degree and is now working full-time as an artist and blacksmith (trading as Forever Forged based at Claymills Victorian Forge near Burton on Trent).

Here are some more recent photos of Hayley and her work.

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Parwich artist on show in Ilam this weekend

Parwich’s Jean Wayne is one of four artists whose work will be on display in Ilam this month, as part of the second annual Staffordshire Enjoy Art Open Studios.

The exhibition will take place this coming weekend (September 15-16) and the following weekend (September 22-23), at The Haybarn, Beechenhill Farm, Ilam, DE6 2BD.

Opening hours are 11am to 4pm.

There will be lots to see and some light refreshments (mainly cake, we have been told!)

Jean’s artwork will be displayed alongside pieces from Sue Prince, Margaret Sharples and Ruth Watson.

Please click here for directions.

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Parwich artist on show

Parwich’s Jean Wayne is one of four artists whose work will be on display in Ilam this month, as part of the second annual Staffordshire Enjoy Art Open Studios.

The exhibition will take place over the weekends of September 15-16 and 22-23, at The Haybarn, Beechenhill Farm, Ilam, DE6 2BD.

Opening hours are 11am to 4pm.

There will be lots to see and some light refreshments (mainly cake, we have been told!)

Jean’s artwork will be displayed alongside pieces from Sue Prince, Margaret Sharples and Ruth Watson.

Please click here for directions.

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Wirksworth Arts Trail next weekend

Wirksworth Festival – 7th – 23rd September
with the Arts Trails Weekend – Sat 8th & Sun 9th

The fantastic opening weekend when art takes over the town. The whole town becomes a gallery with more than 170 artists and makers showing their work in private homes, historic building, gardens, shop windows and churches. A great chance to buy affordable art, meet the artists and take a peek at some of Derbyshire’s best interiors!

With contemporary fine art exhibited throughout the historic market town, unique and inspiring contemporary craft and design and exciting dance, drama, music and performance events, the spectacular Opening Weekend invites you to join us for the day and stay long into the evening.

Tickets for the Art and Architecture trail are £6 per person with under 18s going free.  Tickets are available on the day only, so mark out the weekend in your diary and look forward to seeing you on the Trail!

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Support our local artists

Please pop in and support Ruby and Gillian who are exhibiting their paintings in the village over the Bank Holiday for Derbyshire Open Arts.  Ruby is open on Sunday and Monday and Gill is open Sunday to Tuesday.

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Open studios in Parwich

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Derbyshire Open Arts in Parwich

Derbyshire Open Arts Festival 2012 is on for 4 days over the June Bank Holiday, Diamond Jubilee Weekend – Saturday 2nd – Tuesday 5th – 11-5pm.

Ruby Hickmott – Work in mixed media, mainly land/seascapes, paintings & sketches.

Email: rubyarts@tiscali.co.uk : www.rubyhickmott.co.uk

4 Church Walk, Parwich, Asbourne DE6 1QA  (Open Sat-Mon)

Gillian Radcliffe – Expressive work in watercolour, oil and mixed media, wild seascapes, landscapes and contemporary images inspired by Derbyshire, Norfolk, Italy and South Africa.

Email: gillradcliffe@w3z.co.uk Flaxdale House, Parwich, Ashbourne DE6 1QA (Open every day)

Click here for a map showing all venues participating in the event
Click here for an online brochure

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Open Arts this weekend

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Gillian Radcliffe (open Saturday – Tuesday) and Ruby Hickmott (open Saturday – Monday) will be exhibiting their paintings in Parwich during this festival.

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Derbyshire Open Arts Festival 2012 is on for 4 days over the June Bank Holiday, Diamond Jubilee Weekend – Saturday 2nd – Tuesday 5th – 11-5pm.

Ruby Hickmott –  Work in mixed media, mainly land/seascapes, paintings & sketches.

Email: rubyarts@tiscali.co.uk  : www.rubyhickmott.co.uk

4 Church Walk, Parwich, Asbourne DE6 1QA

Gillian Radcliffe –  Expressive work in watercolour, oil and mixed media, wild seascapes, landscapes and contemporary images inspired by Derbyshire, Norfolk, Italy and South Africa.

Email: gillradcliffe@w3z.co.uk  Flaxdale House, Parwich, Ashbourne DE6 1QA

Click here for a map showing all venues participating in the event
Click here for an online brochure

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In September 2011, I was able to showcase some of the work I produced last summer, in the annual show of the Society of Wildlife Artists, at the Mall Galleries, London.

The exhibition of all my underwater art and more was due to be on show in Dorset in May… but due to a slight change of plan, it has been postponed till later this year!

I will keep you all posted, and I will have a mini-show in the village hall before the work heads south.

– Esther

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June Bank Holiday Weekend
Derbyshire Open Arts
2nd,3rd, 4th and 5th June

Derbyshire Open Arts is a not for profit open arts event that takes place in various venues across Derbyshire. The event takes place annually in the Spring Bank Holiday. Each year over 100 Artists and Craftspeople display their work in separate venues and invite the public to view and purchase work as well as take the opportunity to meet to the visual arts professionals and find out more about what they do, as well as taking in the beautiful Derbyshire scenery over the weekend. Free brochures with maps will be available to download or from libraries, tourist offices or from the artists themselves nearer the time.

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Ashbourne Festival
22nd June – 8th July
Now in its thirteenth year, the Festival follows after the Diamond Jubilee celebrations and embraces the excitement of the Olympic torch passing through the town on its way to London for the opening of the July games.

Once again this festivals aims to bring you perennial favourites, familiar faces and well chosen internationally famous artists. Coming on 23rd & 24th June is Streetfest, the best street theatre in the East Midlands. The Open Art Exhibition will be held in the Town Hall from 23rd-28th June.

Ashbourne Tourist Information Centre is the main ticket vendor but there is an online ticket service for principal events through WeGotTickets.

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Buxton Festival 7th – 25th July

Welcome to Buxton Festival, a summer celebration of the very best opera, music and literature, at the heart of the beautiful Peak District.

This year will be our 34th Festival, and as always, we continue to bring you top quality productions with artists and speakers of world-wide reputation. Our varied programme of rarely performed opera, wonderful music and engaging literary events offers something for everyone.
……

Y not Festival – August 3rd – 5th
One weekend a year, the gorgeous Peak District countryside becomes home to the Y-Not Festival. Y Not is the Small Fresh & Loud music festival, with a fantastic atmosphere and a history of live acts to rival the very best.

But this is just the tip of the iceberg…  We always put together a varied and electric range of music, from country folk, to indie rock and everything else in-between.

At Y Not you can see great live music, quench your thirst with one of a huge selection of local ales and ciders (or cocktails!) or watch the sunrise from your campfire. Whatever you want from a festival you will find it here and have a fantastic weekend…

So why not?

Early Bird Tickets already sold out – Book here for regular tickets.
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Wirksworth Festival – 7th – 23rd September
with the Arts Trails Weekend – Sat 8th & Sun 9th

The fantastic opening weekend when art takes over the town.The whole town becomes a gallery with more than 170 artists and makers showing their work in private homes, historic building, gardens, shop windows and churches.  A great chance to buy affordable art, meet the artists and take a peek at some of Derbyshire’s best interiors!

With contemporary fine art exhibited throughout the historic market town, unique and inspiring contemporary craft and design and exciting dance, drama, music and performance events, the spectacular Opening Weekend invites you to join us for the day and stay long into the evening.

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Wednesday

Visibility: three metres. Exposure protection: wetsuit, hood and boots.

I’ve discarded my gloves today, as they make drawing a little more cumbersome. The sun is shining. My buddy and I make our final checks, wade into the water and dive.

The visibility is very good and within the first ten minutes I spot a pipefish! It’s only the second I’ve seen in as many weeks. I signal Shep and he spots it, just as I get his attention. I find it unexpectedly unnerving initially; with its head out of sight, it’s like a snake in the grass!

We watch it for a while, then move on… another! We pass an area of weed and Shep spots two more.

It has been one of the best dives to date: one hour and twenty-five minutes of incredible sea life, good visibility and warm waters.

Everything was right, and we really thought we would see the illusive seahorse today. But no… still no horses.

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Rob Francis writes:

You seek them here, you seek them there. For 25 years, they have mysteriously appeared then disappeared at Christmas.

This is a unique Parwich tradition inherited from Biggin-by-Hartington through Ambrose Wilton and Jack Cundy, who as boys traipsed along the railway, returning via The Newhaven Inn – back in 1936.

Click here to view photographs from the last 25 years (or click here for a full-screen slideshow).

This includes the guizers’ famous meeting with Paris Hilton (look at the smile on her face) and the first photograph that appeared in The Ashbourne Telegraph in 1985.

The guizers in all their shape-shifting forms wish you a Happy Christmas.

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Curtains Set

Don’t forget the School Christmas play is at 2pm today, and at 7pm on Tuesday and Wednesday.  However admission is by ticket only, so if you have not got your tickets yet contact the School Office on 390245.


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Winster Guisers at the Sycamore

Guising or mumming is an ancient tradition of Christmas plays.  The Winster Guisers are possibly one of the oldest groups performing, come and see them at

8pm Friday 9th December in the Sycamore Inn

Note: the Parwich Mummers will also be on tour on the evening of the 10th December (click here for more details)

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Parwich Christmas Card

A Christmas card of Parwich is available in the Shop. The card is based on a watercolour by Roger Allen and is available for £1.25 per card.

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Sunday

It was my first dive from a rib today. Slightly apprehensive, but kind words from the skip across from Brownsea made my approach clear.

Chris, a member of the local dive club, had arranged to meet me at Swanage Pier (this place still holds foreboding) at around two-ish, with the aim to head out at two thirty prompt. I arrived early, dumped my kit at the kiosk and parked up the other side of town – giving myself a short walk back to collect my nerves, all of them it seems…

Back to the Pier and I noticed a chap, suited up and sitting in a grey rib eating his sandwiches. It’s Chris. We shout our greetings and I’m introduced to Gary: our skipper for the afternoon and general boat cover. Once togged up, I wade out to join them on the rib, hand over my kit and clamber on (in a very un-ladylike fashion).

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One hour and twenty minutes in my wetsuit, hood, gloves and boots, and I am cold. D is very cold.

We made it to the far end of south beach and it was worth it.

Blenny, dragonet, hermits, shore crabs of all sizes, wrasse, snakelock… and I even caught a glimpse of mullet grazing the shallows.

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No sooner am I back in Dorset than I’m jumping in the sea with D. Studland, with borrowed kit (thanks Matt), a BCD from the dive centre, and away we go. The beach is packed! I’ve never seen it like this before. The number of boats moored have increased, too. We make our way to the water and don fins. It’s good to be back!

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Let there be light,
our next children’s event will be on
Sunday 30th October
between 10am and noon.

See Peakfive.org for more details or download the invite card.

Booking essential as places are limited.

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This year’s Beyond Limits sculpture exhibition opened on Friday September 16th, in the gardens of Chatsworth House. There are 26 works on display, including pieces by Damien Hirst, Rene Magritte, Lynn Chadwick and Marc Quinn, and the exhibition runs until October 30th 2011.

Please click on each photo to enlarge it.

23. Damien Hirst – Myth
The spot at the far end of the Canal pond is always reserved for something special. In previous years, we’ve had Marc Quinn’s statue of Kate Moss and a smaller version of Antony Gormley’s Angel of the North – and this year, Damien Hirst’s two painted bronze horses, Myth and Legend, looked spectacular in the afternoon sunlight. You’ll see Legend further down in this post.

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Lewis Noble in Derby

THE BIG PICTURE SHOW
New work by gallery artists including LEWIS NOBLE

Opens THIS FRIDAY 16th September
Show continues 17th, 20-24th and 27-30th September
10am-5pm
AT THE TREGONING CONTEMPORARY, Friar Gate Studios, Derby.

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Tickets for Tartuffe

We have one ticket available for Moliere’s Tartuffe at Buxton Opera House on Wednesday 28th September at 7.30pm
If you would be interested please contact Caroline on 398.

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Wirksworth Festival this Weekend

Visual Art Trails Weekend 10th – 11th September

The fantastic opening weekend when art takes over the town. The whole town becomes a gallery with more than 170 artists and makers showing their work in private homes, historic building, gardens, shop windows and churches. A great chance to buy affordable art, meet the artists and take a peek at some of Derbyshire’s best interiors!

Stay for the whole day and enjoy our FREE events in the evening.

Just opened in April 2011, the Ecclesbourne Valley Railway Wirksworth to Duffield line will be running Festival Specials, starting from 9:10am from Duffield with the last train from Wirksworth at 6:20pm.

Tickets for the Art and Architecture Trail are £5 per person with under 18s free. Tickets will be available on the day only.

Click here to find out more about each artist.

Street music and performance for the weekend.

Be entertained throughout the weekend by Wirksworth’s free street music and performance programme, brought to you by Outdoor Music in Wirksworth (check posters around town for details).

There’s something to see at every corner and at every twist and turn of the streets of this most delightful and historic market town. Bring your walking shoes to explore every corner, then take a break to eat and drink at the towns pubs and cafes.

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(To read all of Esther Tyson’s “Swimming Underwater” posts on one page, please click here.)

The Grand Finale.

Open Water 3 and Open Water 4, Swanage, Tanville Ledges! It’s 28ºC. I’m in a wet suit, hood, gloves and boots. I have 10kg of weights around my waist and 2kg of ankle weights. We are diving in salt water from a boat in a controlled environment. I have 230psi in my tank and we are about to do our giant stride!

Skills: Equipment preparation, donning and adjustment. Pre-dive safety check. Entry and weight check. 5 point descent. Buoyancy control/Oral inflation fin pivot. Full mask flood and clear. Controlled Emergency Swimming Ascent. Cramp removal. Free descent. Underwater exploration. 5 Point Ascent with a 3 minute safety stop (hovering the correct way up for a change!) and a tired diver tow (I was the tired diver by the end of that!).

16º at the surface, 16º bottom temperature and 7.7 depth. Done, and it all went well.


This is when I make a big mistake. (more…)

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Thursday 6.30pm

It is one month to the evening since I began training to scuba dive! I’m back at the pool side with Eileen, and we are about to finish off confined water 4 and 5. I feel calm and collected…?! On the cards tonight is the hover; I imagine Tom Cruise at the end of his line, but it doesn’t quite work out like that…

Heather is also going for her open water 3 and 4 on Sunday, and we are to do most of the skills together this evening.

We enter the pool with a giant stride. My mask is less tight, because I’ve been wearing a hood. (I leave it as is, in the hope that I have less of a mark on my face when we finish.) Making sure I hold the mask firmly as I hit the water, it remains in place and no water is leaking in… cool. We buddy up for a 5 point descent and all is well. I have to remember: part of ‘sorted’ is to elevate and equalise.

I’ve struggled a little with buoyancy this evening. Even with my BCD empty of air, my body wants to float and it’s difficult keeping both knees on the tiles. We watch Eileen do the hover, and then it’s my turn. In my attempt I turn turtle and hover upside down. Feet in the air and totally un-Cruise like; what is going on?! I can just see myself – what a picture! Hover complete and finally into an upright position (with help), I kneel on the bottom.

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Wednesday.

Caught the Castello early this morning, then the chain ferry, and made my way to Studland. A short walk to the beach: lovely, calm and not many people!

Damon and Jim pulled into the car park five minutes later. We walked down to the beach for a recce, as neither have dived Studland before, then returned to the van to don our gear. It’s a longer walk to the beach all togged and weighted, and thankfully it’s downhill!

We discuss the dive ahead and make our way to the water. I have a real problem to begin with: my BCD isn’t tight enough (I’m a bit weak with the straps) and I keep turning turtle. It takes a while to sort it out, then we make our way out to look for eelgrass.

Being new to diving, the possible loss of control in buoyancy whilst drawing could be a real problem. I am mindful of this and remain a meter above the grass throughout the dive. I’m surprised by the abundance of small snakelocks anemones. They are attached to stems of grass: all healthy, and all like little children’s sunshines. The grass is cleaner, with some darker areas and some lighter.

I keep the boys in sight at all times. Damon looks back now and then, to check I’m still there, and sits cross-legged hovering above the grass – show off! If only it was so easy. I struggle to cross my legs out of water, never mind in the water! And the last time I hovered, it was upside down?!

I make two drawings of Damon as he leads the way. The 300lb paper no longer works; it’s breaking up as I draw. The 425lb holds up well and holds the graphite for the duration. There is a dark shore crab (not as large as the Brownsea crabs) and little sand fish. Damon and Jim see snails, but we don’t come across the seahorses.

The sun sends rays through the water as we swim toward shore. Damon’s computer reads 2.5m and Jim’s going one better, at 2.8m with a 50 minute dive. It’s been good to finally see the environment I hope to work in. I thoroughly enjoyed it – even the walk back to the van, which warmed me up!

Coffee and Green & Blacks white chocolate… cool!

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Sunday afternoon.

We had a group in over the weekend, so Vic and I took the landy down to the clock tower with all the bags and went to meet the boat. As the guys readied to leave, Shep (the skipper) spotted me and shouted over “Est, it’s a perfect time to snorkel!”

Oh heck, he’s right. The water’s pretty clear and the sun is in just the right position for a good look around. I’ve no excuse, even though my gear is at the Villa.

Decision made, I walk two students back to base with a short guided tour, pick up my box of bits (snorkel, mask, fins, wetsuit, hood, gloves, boots, towel) and make my way back to the castle jetty.

The harbour is crammed. There are speeding boats, jet skis, sailing boats and fishing boats, all running back and forth in the channel. I’m standing at the top of the steps looking at the swell as it comes in between the two jetties and up toward me.

Do I really want to go in there? I don’t feel nervous, but I’m a bit apprehensive about the depth and these waves. I sit a while and watch.

Shep has done a second run to Sandbanks in this time.
“Working yourself up to it?!”
How true!

The question is: do I really believe I’m getting in? I’m already talking myself out of it.

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Wednesday evening.

At Swanage pier, I have my second open water dive. Damon is my instructor for the evening and Jim is my buddy for the skills. I’m nervous as we approach the floating jetty, but as Damon pulls on his fin, the strap comes away. My mind is focused on his fixing it, and then on trying to stand solid as he leans on my shoulder for balance while donning his fins… so much so, that I’m calm and ready to take the first skill.

Damon steps off the jetty first. All’s well and he signs “OK”. I step over to the edge. “It’s a flippin’ long way down there”, Jim is happy to inform me that at only a metre “it’s not!” Right gloves heal on reg, fingers on mask, while left hand holds down any dangly bits. I step off the jetty, go under and surface. OK, but with a little water in my mask. Jim’s turn.

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Parwich artist Esther Tyson is working on a project to immortalise the seahorses of Dorset in art – but first of all, she has to learn to dive and swim under deep water. Esther’s project diary continues below…

6 days later.

There’s a big grin on my face right now, but I’m already starting at the end of my story and that won’t do.

Damon was Lou’s buddy tonight and my instructor for the evening. We talked about my experience of the dives to date, a brief history of my progress in swimming underwater and the forewarned mask problem. Why am I doing this? Work? Recreation? To overcome fear? Yes, overcome FEAR sounds about right! (more…)

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Click here to read all of Esther’s diary posts on one page.

Friday, 5pm.

Panic is irrational. Though kitting up when instructed, it was far too soon and sitting in a wet wet-suit for half an hour on a cold overcast evening wasn’t a good start. Already shivering, and the unexpected entry plan just about finished me off.

We had our briefing. Listening to what Lee had to do for the end of his open water put my head in overload. Lou and Eileen would be concentrating on his efforts; Lou would move between Lee and myself; Steve (the Dive Master) would keep an eye out for me. This again conspired against my rational thought. To my mind I’m hearing: one or the other will keep an eye on me, but they are watching how Lee progresses, so they will be distracted and that is when things can go wrong…

Next, we trudge to the pier where we are to step off the floating jetty. A boat pulls in just as we arrive. A quick change of plan and we are stepping off the back of this boat, just like stepping off the edge of the pool. But my head is crowded. I stand on the edge of the platform, don’t want to bang the tank as I step off. 3,2,1 – go. A giant stride (with a helpful shove, once I step out) and it is OK.

I surface and I’m too buoyant. I need to let air out of my BCD, but I don’t; I feel unbalanced and my feet are up. I feel like I did when I first got in the pool with an oversized BCD. My weights feel unbalanced and I am starting to panic. I won’t signal OK. I don’t thrash around in panic, but mentally I’m freaking out. Tears fill my eyes. Lou is facing me the whole time, but I am not able to verbalise how I feel, and why I feel panic. I can write it here, after the fact. She is calm and helps me work through it. It takes so long to calm down. I want out, but I won’t let myself, not after the age it’s taken to get in! (more…)

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Click here to read all of Esther’s diary posts on one page.

Wednesday evening.

51 minutes is not bad for my first open water dive. I was (not literally!) holding my breath the whole time, waiting for the dive to be over. Is this good for a first dive? It’s not exactly the Red Sea or the Indian Ocean, but there is a certain macabre charm about the murky depths.

First the briefing, then we kitted up.

On my first ‘try dive’ with Matt, he said that setting up the tank, the buoyancy control device (BCD) and the regulators would become easy. I wasn’t convinced, but now it’s the one skill I’m most confident with.

With fins in hand, we walked over to the steps… and down, one by one, holding the guide rope to steady myself. Standing in the water we donned fins, inflated the BCD, walked backwards and then sat back, in the sea. Done.

I’m getting nervous again, writing this!

We get to our position under the jetty. Lou must have decided against a buoyancy check, because she indicated straight away the 5 point descent. It took me a while to get under the water, even with deflating my BCD; it seems that when you’re uneasy, your lungs are packed full of air and this keeps you buoyant. I’m now weighted to the hilt and given a helping hand in the form of a tug from Lou below. I’m sinking, equalizing my ears as I go and trying to breath slowly, hoping to fool my brain into feeling calm…

We begin to fin. I hold tight to Lou’s hand. I’ll probably cut off her circulation before long, but it’s a huge comfort.

It is so alien down there; the light is a cool green and everything has a grubby feel, possibly due to the sand and the algae. A crab is my first sighting; they are also the creatures I have found remains of on the shore at Studland. This spiny spider crab is covered in algae and is massive! It’s walking along the sea bed below me. The next is a Cuckoo wrasse, although not with the colours in the book; I saw pale and darker browns. I remember stripes from head to tail and a little iridescence in the stripe under torch light… My mind is concentrating on breathing rather than good observation.

The visibility is poor, thick with sediment hanging in the water. From nowhere, a dark shape appears before us… a pillar. Slowly we pass by, and before long the next ominous shape looms. At this depth I’m in limbo, neither able to see the ground nor the reassuring light from above. Here is obscurity. There is a shimmer of light caught in the flanks of bass and small mackerel, but no other life. I shudder. I am feeling the cold and I signal Lou.

Five minutes more?

We arrive at the Tompot Blenny’s pillar. Lou places a stone in its hole and we wait. A moment later the stone is propelled out and I see it drop from the ledge. Repeat… I see the stone, I see the stone fall from the edge, but I don’t see the Blenny. We move on.

A five point ascent goes well and I surface, holding high my snorkel rather than the buoyancy control device with low-pressure inflator on my BCD. Fool! We flip onto our backs and have an agonizing swim from the end of the pier back to the steps. I can see how exhaustion can kick in; we rest for a moment, then continue.

Back on dry land, and relief that my first sea dive went well in their eyes. My memory will be: “keep going, just a bit longer; you’ll be back on land in thirty minutes.” Does it sound bad? It was an experience; I am glad I’ve done it… but I was lost, had no idea of my bearings and felt claustrophobic.

Thursday evening, Rockley Park.

Two hours in the pool with Steve. He is calm and methodical and it helps. Step by small step, mask clearing… and almost there?

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Click here to read all of Esther’s diary posts on one page.

Dorset: day four.

More Theory, and a very long day. I crammed the last section, and I was still late leaving. Review #5, an exam and a further written examination: done and passed. My brain is fried! 

I’m staying at The Villa on Brownsea Island, in Poole harbour. Walking back along the board walk, I saw deer in the edge of the marsh and a tern whilst waiting at the jetty. I’m tired… will write more tomorrow.


Rockley Park and my first confined dive.

Tomorrow is tonight and I dislike diving intensely! I fought back tears in the pool; it’s tough. Almost drowned at the bottom, trying to clear my mask; coughing and spluttering at two and a half meters is not funny. On surfacing, I’m emotional. Lou asks me if I want to continue with the course, “because you don’t seem to be enjoying it”… (more…)

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